In her spare time, she enjoys being outdoors and spending time with friends. Jordan began dancing with the Starr Foster Dance Project in 2004 and retired from the stage in October 2018, after 14 years of amazing performances. Paul Dandridge, a Richmond native, was introduced to dance through Richmond Ballet’s Minds In Motion program. Over the years, she assisted in writing and directing culminating MIM performances, and helped to establish the now 10-year-old residency in Israel. (Please show double and Jordan Livermon Glunt began her study of dance in her hometown of Powhatan, VA and continued her dance training through The School of Richmond Ballet. In 2016, Khaiyom competed in Arabesque Ekaterina Maximova Ballet Competition. When off the stage, Lauren creates fashion and lifestyle content for Felix & Flora. As a dancer, Starrene trained under many dance greats and has had the pleasure of training with and performing works by Mark Taylor, Chris Burnside, Doug Varone, Sharon Kinney, Ronald K. Brown, Mark Dendy, Pewan Chow (Hong Kong), Raul Parro (Mexico), among many others. She enjoyed a professional career with the Sarasota Ballet of Florida, under the direction of Iain Webb, before returning to Richmond and joining the SRB faculty in 2010. [49], "City Ballet" redirects here. Elise Gaubatz began her study of dance at age four in Colorado. degree in ballet and modern dance from the University of Utah, under William Christensen and pursued additional training in Russia, Denmark, Europe and England during a year of study abroad. Video of a Classical variation (en pointe for ladies) and a Contemporary variation. New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine and Lincoln Kirstein. All defendants disputed key factual allegations made in the complaint as well as their liability as a matter of law; they all filed motions to dismiss. For Web series, see, New York State Theater 20-Year Celebration, $30 for 30 and Fourth Ring Society/Society NYCB, Misconduct allegations against Peter Martins. Joy Weaver Price, a graduate of the JMU school of music,  is beginning her fifth year as a Minds In Motion and Richmond Ballet pianist. We have established specific building entry and class protocols that all staff and students must follow to keep our community safe. She continued on to join the Colorado Ballet for one season. During the pandemic, Freeman devised and led a new Wintergreen Music Online Community, created a choral ideo project for VCU Choirs called Adaptation 2020, and programmed a full 20-21 season of virtual programming for the Richmond Symphony Chorus. Her career includes major roles in ballets like Romeo and Juliet, Coppelia, The Nutcracker, Swan Lake, Midsummer Night’s Dream, The Rite of Spring, Carmina Burana, as well as works from Hans Van Manen, Mats Ek, Uwe Scholtz, Jerome Robbins, George Balanchine, Ben Stevenson, Nacho Duato, Agnes De Mille, Val Caniparoli, Ma Cong, Malcolm Burn and Stoner Winslett among others. In 1981, Balanchine planned a two-week NYCB festival honoring the Russian composer Peter Ilyitch Tschaikovsky. In 2014 she accepted a traineeship with the Richmond Ballet and after graduation in 2016, moved to Norfolk, VA to dance professionally with both the Virginia Ballet Theater and Todd Rosenlieb Dance for two years. [33] They all perform in the pit with the orchestra on a regular basis. He began his ballet training in 2012 at Chamberlain School of Ballet in Plano, Texas and continued on to Central Pennsylvania Youth Ballet. A Richmond Ballet company dancer from 1987 to 1993, Mr. Eri Nishihara, originally of Japan, began her training in Reno, Nevada. Balanchine, Joseph Duell, d'Amboise, Peter Martins, Robbins, and Taras created twelve new dances. A Classical variation. Despite these many distinctions, Ms. Winslett often states that her highest honor has been the privilege to work with the talented professionals and dedicated community members who have made a real difference in the world by building Richmond Ballet. However, if this is not possible we will accept a video audition. ), Send completed submission to:  Balanchine made three new ballets, Tango, Élégie, and Persephone, and a new version of Variations. [48] In April 2019 an arbitrator ordered Ramasar and Catazaro reinstated; Catazaro decided not to rejoin the company. She began working with Richmond Ballet’s Minds In Motion (MIM) in its third year, training under founding director Brett Bonda and continuing her training in New York with Lori Klinger, Executive and Artistic Director of Rosie’s Theater Kids and Jacques d’Amboise, founding Artistic Director of National Dance Institute. All Rights Reserved. Raquel is very excited for her first season with Richmond Ballet II. Hugo Fiorato (retired 2004) (Conductor Emeritus), Maurice Kaplow (retired 2010 as Principal Conductor), This page was last edited on 16 March 2021, at 17:59. Blanton Bradley, Jr. is a graduate of Arizona State University and Baylor University. matinee) begin at 10:00 a.m. on the Monday of that week. He performs regularly as a solo pianist and a member of several bands. 5. Multiple pirouettes, en dehors and en dedans, sur place and en diagonal. However, if this is not possible we will accept a video audition. and Indiana University (M.S.) Kierstin has been a dancer artist with Experimental Film Virginia, has guested with local dance company, Karar Dance, and currently dances with the Richmond-based dance company, Starr Foster Dance. Richmond Ballet II 2021 Audition Information Pre-Registration Google Form, Judy Jacob, Artistic Associate & School Director Her lawsuit claimed harm by Finlay for allegedly taking and sharing sexually explicit photos and videos of Waterbury without her knowledge or consent, and by Ramasar, Catazaro, Longhitano, NYCB and SAB for allegedly contributing to that harm in various ways.[46]. Eri is thrilled to be dancing her fourth season in the professional company. Steele has performed with RVA Dance Collective and Annielille Gavino and her company Malayaworks. triple turns if advanced level) 18-21 years of age with advanced, pre-professional training. After graduating magna cum laude from Virginia Commonwealth University with a BA in political science, she joined Richmond Ballet’s professional company for 6 seasons, loving dancing both classical and new works. She enjoyed the honor of working, studying and performing with renowned teachers, producers, choreographers and artists such as Faith De Villiers, Denise Schultze, Louis Godfrey, Roland Casanave, Ronald Emblen, Ronald Hynd, Nicholas Beriozoff, Andre Prokovsky, Sir Frederick Ashton, Galina Samsova, Dame Margot Fonteyn, Attilio Labis, Natalia Markarova and Ivan Nagy. Along with performing, Larri teaches private piano lessons and is an accompanist for the Minds In Motion program. Upon retiring from the company, Katherine continued as a MIM teaching artist enjoying bringing the power of dance to area 4th-graders. (Including jetes, assembles, sissonnes, beats, and connecting steps, etc.) Tara continues to travel nationally as a choreographer of musical theatre working with schools, regional theatres, and universities. The ballets included three of Balanchine's works, Serenade, Stravinsky Violin Concerto, and Sonatine; and Jerome Robbins' Afternoon of a Faun. auditions@richmondballet.com. Starrene is the beneficiary of the 2003 VCU Star Alumni Award where she is presently in her fourteenth year as an adjunct faculty member. [36], In December 2017, Martins took a leave of absence from the New York City Ballet following an allegation of sexual misconduct made against him. "[8] He served as the company's General Director from 1946 to 1989, developing and sustaining it by his organizational and fundraising abilities.[8]. After graduating from the Johannesburg School for Art, Ballet and Music under Marjorie Sturman F.R.A.D., Mercedes Molina (Spanish dance), and Jean Beckley (Classical Greek), she joined PACT Ballet, South Africa. 2. Susan Israel Massey joined the faculty in 1992. [2] Balanchine and Jerome Robbins are considered the founding choreographers of the company. Mr. Bonda is an alumnus of Virginia Intermont College. Andrew Litton was appointed to the position on December 16, 2014, and started in September 2015. She enjoys cooking, reading, and spending time with Trevor and their three cats. Grand allegro, as space permits. Burn has re-staged many of the classic full-length ballets and choreographed his own versions of Romeo & Juliet and Cinderella, as well as other shorter pieces including Pas Glazunov and A Tribute. 1. Grand allegro, as space permits. Balanchine, Robbins, Jacques d'Amboise, and Taras made sixteen new ballets for the occasion. John is also working towards his bachelor’s degree through Indiana University’s online classes. John Miller, of Fort Wayne, Indiana, began his training at Fort Wayne Ballet. Blanton joined Richmond Ballet as Musical Director in 1997, and currently serves as  Minds In Motion Music Supervisor. She furthered her training at San Francisco Ballet School on scholarship for three years where she worked closely with Patrick Armand, Tina Le Blanc, and many others. Prior to joining SRB in 1987, she was ballet mistress for Ballet Arizona. [32] Principal players of the orchestra also perform the majority of the concertos, other solos, and chamber music in the NYCB repertory as well. [18][19] The program was supervised by principal dancer Jenifer Ringer. We strongly recommend that those interested attend an audition in-person. Having always had a goal to work in arts administration, Carrie completed internships with the French Film Festival in Richmond, The John F. Kennedy Center for the Performing Arts in Washington, D.C., and Shakespeare’s Globe in London. We ask for you to upload your audition video via the Google Form. She attended many summer programs, including at Boston Ballet and with an exchange program through the John Cranko School in Stuttgart, Germany. Naomi Wilson, of Brandon, Mississippi, trained under David Keary of Ballet Mississippi for four years. Ms. Kumery has served as répétiteur for Ballet Teatro Lírico Nacional and Pacific Northwest Ballet, and from 1990-2007 was Ballet Master/Associate Artistic Director of North Carolina Dance Theatre under the direction of Salvatore Aiello. At age 18 she was invited to join Kansas City Ballet’s second company as a trainee. Blanton Bradley, Jr. is a graduate of Arizona State University and Baylor University. Please see our website www.richmondballet.com/school for details on our safety procedures. 3-year-old's adorable skiing pep talks are 'bringing people joy,' mom says. triple turns) Burn was co-director of Ballet Arizona. Please have a variation prepared for Artistic Staff to observe. In 1990 she designed and implemented a four-year dance program for the Center for the Arts at Henrico High School. ©2021 Richmond Ballet. Performance footage will not be accepted. She was Assistant Ballet Master of the Richmond Ballet professional company for two years and became Director of the School of Richmond Ballet in 1998. Carrie was a member of UR’s University Dancers, serving as co-captain her senior year. or black t-shirt with black tights and shoes. Anne Sidney Hetherington began her training at The School of Richmond Ballet at the age of 7, under the tutelage of Jerry Schwender, Leslie Peck, Arnott Mader, Jasmine Grace, Malcolm Burn, Susan Massey, and Ruth Petrinovic. The report itself was not made public. After two seasons as a trainee in Boston, Trevor joined Richmond Ballet in 2008 as an apprentice and became part of the professional company in 2010. In 1972, Balanchine offered an eight-day tribute to the composer, his great collaborator, who had died the year before. Ira White, native to Richmond, Virginia, discovered his love for dance through Richmond Ballet’s Minds In Motion program. In 2016, Alexandra moved to Israel to dance professionally with KAMEA Contemporary Dance Company, before returning to school to pursue her Master’s degree in Conflict Resolution and Mediation at Tel Aviv University. TOM LEONARD: 79-year-old Nygard, who has previously denied allegations of sex trafficking and racketeering against him, languished behind bars yesterday. She has been with Richmond Ballet since 2008 and recently married fellow company dancer Trevor Davis. The program started with Igor Stravinsky's Fanfare for a New Theater, followed by Stravinsky's arrangement of The Star-Spangled Banner. He began his dance training under the direction of Melody Eggen. He is proud to be in his sixth year with the main company. Steele Goldman was raised in Chapel Hill, North Carolina. No Barre Work, only Centre work (please film in a studio or appropriate space, ensuring your entire A Contemporary Solo. website www.richmondballet.com/school for details on our safety procedures. Lauren Fagone was a professional dancer with Richmond Ballet from 2001-2015, performing leading roles in works that span the spectrum of classical and contemporary ballet. During that time, he was also a medalist and best couple award winner at the International Ballet Competition in Jackson, Mississippi. Alexandra’s research focuses on the role of dance in peace-building. Jordan is thrilled to be in her second year as Minds In Motion Director, striving to share the joys of dance and collaboration with students across the state of Virginia. By the end of his education, Khaiyom’s repertoire surpassed most others. Nashville Ballet: A Midsummer Night's Dream - May 8, 2021 - 2pm She spent her summers attending intensive programs at the Central Pennsylvania Youth Ballet and American Ballet Theatre of New York. Blanton has also been musical director for productions at SPARC,  Dogwood Dell, and Theater VCU. She attended summer programs at the School of American Ballet and Miami City Ballet School. However, if this is not possible School of Richmond Ballet will accept a video audition. Stoner Winslett is the founding Artistic Director of the Richmond Ballet professional company. He spent fourteen seasons with the professional company. Ms. Winslett’s vision for the organization has always encompassed not only performing but also the training of artists and the education of the community, which are necessary to both preserve the heritage and explore new directions for the Company. Recent headshot. She has also started a flower business, Monarch Flower Farm, with fellow company dancer, Cody Beaton. Ms. Hetherington earned a BA from Butler University in Dance Pedagogy. 1. Jerri Kumery began her studies with Roman Jasinski and Moscelyn Larkin in Tulsa, Oklahoma, and later studied at the School of American Ballet. In addition to Minds In Motion classes, Rachel accompanies classes at the School of Richmond Ballet, and serves as the SRB Music Administrative Assistant. The auditions take place annually January-March. triple turns) A dancer with the professional company from 1985-1995, Mr. Bonda performed much of the company’s repertory, dancing lead roles in ballets such as Rodeo and Coppélia, and appearing in the premiere of Stoner Winslett’s original work, Ancient Airs and Dances. If technical issues occur, then feel free to send it to either auditions@richmondballet.com or Mariah Taghavie-Moghadam, 407 East Canal Street, Richmond, VA 23219. He has attended many summer programs, including those at San Francisco Ballet School, Boston Ballet, and American Ballet Theatre. Please see our website www.richmondballet.com/school for details on our safety procedures. Abi spent two years with Richmond Ballet II and is excited to begin her seventh season with the professional company. Cody Beaton, of Round Rock, Texas, began her training at the Austin Conservatory of the Arts. Ms. Winslett is one of the longest tenured artistic directors of a major ballet company and one of the few female artistic directors in the United States. Sabrina spent two years dancing in Richmond Ballet II, and this is her seventh season in the professional company. This is Ronald’s second season with Richmond Ballet II. While dancing with RBII, she has been earning a degree from Arizona State University and will be graduating with a BS in Urban Planning in May 2020. He looks forward to his first season with Richmond Ballet II. Cecile danced with The Ballet du Rhin in France, as well as Basler Ballet in Switzerland, Deutsche Oper am Rein in Germany, Tulsa Ballet in Oklahoma and Richmond Ballet. Ms. Grace also danced in Germany (Staatsteater Wiesbaden), Switzerland (Staatsteater St. Gallen), and New Zealand (Auckland City Opera Ballet). Stoner Winslett is the founding Artistic Director of the Richmond Ballet professional company. Other noted orchestral musicians have collaborate son special performances. He became a Company ballet master upon retirement from dancing with Richmond Ballet and was named an Artistic Associate in 1999. [14] The choreographer died the following year. 2021 - TPAC Events & Shows - Andrew Jackson Hall . (Men include tours en l’air) Small and medium allegro combinations displaying a range of technical advancement and musicality. Malcolm Burn, a New Zealand native, is in his 34th  year with Richmond Ballet. In 1982, Balanchine organized a centennial celebration in honor of his long-time collaborator Igor Stravinsky, during which the City Ballet performed twenty-five ballets set to the composer's music. We strongly recommend that those interested attend an audition in person. During that time, she became a founding teaching artist with Minds In Motion. Ballet Competition in Jackson, Mississippi. Brett Bonda is now in his 36th season with Richmond Ballet, having served the organization as a dancer, administrator, educator, and director. (. She is excited to continue to develop the Minds In Motion residency in Israel and to bridge barriers through dance. In 2005, she was awarded the Smith Medal, which is the highest honor the College can confer on an alumna. Other public programs include Family Saturdays, one-hour interactive programs for children 5 and up;[22] Children's Workshops and In Motion Workshops, pre-performance explorations of the music, movement, and themes of a ballet featured in the matinee performance for children ages 5–8 and 9-11, respectively;[23][24] and Ballet Essentials, a 75-minute informal ballet class for adults ages 21 and up with little to no prior dance experience. Ronald has spent his summers training at Pacific Northwest Ballet, Miami City Ballet, Joffrey Ballet, and Central Pennsylvania Youth Ballet. Music format: CD or cell phone. She holds a BFA in Ballet from the University of Utah, where she studied for two years before joining Richmond Ballet II. Jasmine Grace A.I.S.T.D. Her unique, strong partnership with the community has built a fine civic organization into an important national dance force through working toward a clear and shared vision. Ronald Wagstaff, originally from Kennesaw, Georgia, began acting, singing and dancing at the age of six. Additionally, she is the Artistic Director of Wintergreen Music and Resident Conductor of the Richmond Ballet. She was then privileged to train with Edward Ellison in the first year of his pre-professional program in New York City before joining the Richmond Ballet as a Trainee. In addition to presenting these and repertory ballets, Balanchine re-choreographed his Mozartiana from 1933. Resumes are optional for ages 12-15. The company was named New York City Ballet in 1948 when it became resident at City Center of Music and Drama. CBC News BC. Through the years, he rose through the ranks of the School, including a year spent in its trainee program and three seasons in the second company. Rachel Shimkus is thrilled to be starting her fourteenth year with the MIM program. It is one of the most versatile orchestras in the world, on any given week performing perhaps three or four times the repertoire that another symphony might be expected to do. These have included the Australian Ballet in the Spring 2012,[34] and the San Francisco Ballet[35] in the Fall 2013. Gentlemen in white or black t-shirt with black tights and shoes. Women: 5’4” – 5’7” Men: 5’10” – 6’3” Adagio work displaying port de bras, body positions, arabesques, and attitudes showing line and Ms. Studdard appreciates bringing together people from all walks of life to share transformative, meaningful arts experiences. The Ballet’s scope also includes a school, the School of Richmond Ballet, which opened its dance studios 46 years ago and now serves more than 900 students annually; and many outreach programs featuring the unique Minds In Motion program now in its 26th year. 3. Following, she auditioned for Richmond Ballet and spent one year as a trainee. Her teaching career spans over 50 years in professional organizations, college festivals, and schools, including University of Utah, BYU, University of Wyoming, University of Richmond, Virginia Ballet Theatre and St. Catherine’s. He then studied at Juilliard in the summer program on full scholarship before joining Richmond Ballet in 2006. School of Richmond Ballet auditions take place annually January-February. During his time at MBA, Patrick competed in the Youth America Grand Prix New York Finals and at the Beijing International Ballet Competition for Dance Schools. 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