armand van helden interview

Yeah. The owner of Gramps is a friend of mine – I love that place. I was really a fan of it as a kid growing up, just unknowingly. Literally overnight, everybody in Boston [was] going to cobblers to get their sneakers platformed. He’s like that. Looking back on the genre, do you think freestyle gets the respect it deserves in dance culture? Armand: I had to start form scratch. That’s me, I’ve always been that hippie guy. I was quite a shit-talker back then – I wasn’t overboard with it but if you put it in a song, then obviously it’s for all time. Er stammt aus dem ... Armand Van Helden (* 1970), US-amerikanischer House-DJ und -Produzent; Armand Zaepfel (1890–1937), deutscher Film- und Theaterschauspieler; Künstlername. I came summer of ‘93 and in spring of ‘94 “Witch Doktor” came out. Armand van Helden and A-Trak recently launched their new Duck Sauce interview series and their latest guest is hip-hop legend DJ Premier.In the latest. If I wasn’t making music, I would have never been a DJ in New York or outside of NY. There’s many interested facets as to why that is. I came in and [on] the first floor I did deep house and I DJed there half the night; upstairs I brought in another promoter, Tom Mellow. Born in 1970, Van Helden grew up primarily in Europe, then hit the states to attend university. The rest of that song I didn’t know really how to piece together, and that was the real work of that song, but everything else on that song was super easy. Mon 12.11.2007. Primary Menu News; Features; Ravers Heat; Contact; CONTRIBUTE; About; Search for: Jan 1 2018. After freestyle died off completely, around 1994, I revisited some Stevie B records and realized how great the music is. If you’re trying to make this career, you need to admit these things, because the markets so saturated. My roommate was also a deep house guy like me; we grew up from Club M. I started a night called the Loft about ‘91. There was no scene pre-CJ Bolland’s “Sugar Is Sweeter” [remix]. RBMA’s Michaelangelo Matos spoke with Van Helden about his life and career, coming up in the Boston scene, and how, precisely, one might categorize trance fans. Through the constantly changing world of EDM, the producer has always managed to stay authentic and relevant to both old fans and new, claiming that it’s the hippie part of his personality, “…I never put anything down, I’m not a critic. What can we expect from that party? I had never seen people organizing so much, getting together and making it all work. But I think in a way, [U.S promoters] modeled after the Europeans. That’s his talent; not many people can do that. ‘Wings’ is already going sky high! In the early rave days, listening to jungle, drum & bass, hardcore, they would do those stops and the ambient thing, with no beats. A-Trak and Armand Van Helden's Duck Sauce are Interviewing David Guetta Tomorrow Guetta is releasing a highly anticipated collaboration with Sia this Friday. You’ve been a supporter of the conference for a while now. No. Exclusive Interview: Jenna x On Debut Single “When The Party’s Over..” Dar.Ra Talks Latest Single And Confirms New Album In 2021 — Interview. This guy named Johnny D did Henry Street Records, which put out the Bucketheads’ [“The Bomb!”] and [Van Helden’s] “Funk Phenomenon,” so he was considered a friend. If you listen most house music at the time, it usually had some percussion that propelled it if the kick was pulled out. The wisdom in age kicks in. By Michaelangelo Matos on April 1, 2015, Tori Amos - Professional Widow (Armand's Star Trunk Funkin' Mix), CJ Bolland - Sugar Is Sweeter (Armand van Helden Mix), DJ Deeon And DJ Slugo Live Mixes + Chicago Session Gallery, Playhouse: An Interview With Ricardo Villalobos. When playing pool parties you tend to play happier stuff than normal, especially when the sun’s out. You would see people trying to get in with them, but I refused to do that because I got a vibe from Kenny Dope. I played house [to] a couple hundred people. I want to ask about “Flowerz,” which is my favorite track of yours. They’re all cool with me now but it was very hard for anybody outside at any circle, at any level – UK guys, Jersey guys – you just couldn’t break that clique. I was 18 when I moved to Boston, in 1988. My manager and I invented this thing with a remix that we called “No recall” – in other words, whatever I’d turn in, [the label was obligated to] put out. Interview: Armand Van Helden rocks it for Renaissance. North American house icon and Duck Sauce cohort Armand Van Helden has a long and winding history in the genre’s timeline. In 2015 is this sentiment still true? If you would have asked me back in 2008 if that would be the future, I would have laughed. Three in particular from 1996 altered the landscape: CJ Bolland’s “Sugar Is Sweeter,” Tori Amos’s “Professional Widow,” and Sneaker Pimps’ “Spin Spin Sugar“ upended house music’s steady-state pulse in favor of ruder rhythmic upsets, particularly their drum & bass-sourced, thumping-upside-your-cranium bass lines. In anticipation of his upcoming appearance at the WMC’s 30th anniversary in Miami alongside Nervo, Chuckie, and Tchami, I spoke with Armand over the phone to discuss house music’s early history, his latest compilation, authenticity, and the upcoming music conference. I personally don’t care what’s the cool new trend. It was an absolute blast. On the concert circuit, it seems like it happened overnight – like, how did we get here? My big memory is going there in the dead of Boston winter and steam coming out of the windows. Roland Clark had been up to my place a couple times, and I made the track and three days later I was like, “Roland, you should sing over this.” I said I needed it very quickly – it was one of the last songs I made on that album – and he brought it back to me the next day with the vocals. The only difference in that was that I made the bass very strong on [“Sugar Is Sweeter”], like all the drum & bass records I was into. Armand Van Helden featuring Fat Joe & BL - Touch Your Toes (Lost Daze Remix) MUSIC VIDEO . When I went to early raves at house clubs there weren’t any classes or niches of people. If you had a membership card you were allowed to bring one non-member, but eventually that non-member would have get a membership. He was like, “The cool thing is to play House.” I was like, “They are not going to go for what I do.” His raves were called the Primary raves- Red, Blue, Yellow. In the middle. I was just talking to a few DJs, and they all know the cash cow that America is. It wasn’t the norm. I was going to the raves originally as a fan. But he intuitively channeled that record. Hopefully it’s art that can inspire. Armand Van Helden répond aux questions de l'envoyé special djwebradio à la winter music conference 2008 I played that bassline. Tai Kolade speaks to Armand van Helden about Manchester, vinyl, and the 1990's revival They were like a clique, and there was no access. Read the … Pseudonym des deutschen Schriftstellers Fredéric Armand Strubberg (1806–1889) Armand (Sänger), Pseudonym des … After a couple years the conference gradually grew. When I see older dudes than me still out partying, that fascinates me. Armand: I always had this hippie underlying aspect of my personality. Change ). Which studios did you use to record your tracks? That changes up the feel. What’s interesting to me, is your ability to consistently be yourself and authentic, while still being relevant. In the latest episode of Duck Duck Goose, the Duck Sauce duo shoot the breeze with the influential Gang Starr producer and DJ, and chat about production and mixing techniques, shared history, his and van Helden’s time spent clubbing in New York, and music. ( Log Out /  For a 13-year-old back then to have two speakers, an amp, a mixer and two turntable, that was super-rare. [laughs] 2Future4U, by the way, wasn’t a big album. That’s my connection with house music. The UK scene has always been the healthiest in the world, with Australia probably number two. It was very afrocentric and love generation oriented, everyone was welcome, nobody looked at you differently, people just came to enjoy the music and dance. Browse more … Ross: Are there any acts you’re excited to see at the conference? He did do the hook in terms of those stacks where he knew that Flowers was a thing, and they’re insanely beautiful. ( Log Out /  In the latest episode of Duck Duck Goose, the Duck Sauce duo shoot the breeze with the influential Gang Starr producer and DJ, and chat about production and mixing techniques, shared history, his and van Helden’s time spent clubbing in New … Then years later, hip-hop blew up and changed the music formula completely. That’s a full original. It’s a very felt thing. Again, the bridge-building aspect [is] what I always aspired to do. 14 years ago | 1.5K views. The Maxi Party started blowing up along with other events, but when the British came around 1997 it felt like it tripled all in one year and went nuts. Hip hop existed to me as a bridge-building music. By the way, MTV Germany pretty much banned me from that point. Armand Van Helden & Todd Terry Interview Not that one – the bassline was from the parts that were sent to me. The artist is one of the few DJ/producers that has maintained his success since the early 90’s, notably with the house anthems, “U Don’t Know Me” and “Witch Doktor.” The artist is lauded as a staple of the 90’s house movement.In recent years, Armand has crossed over to a new generation of fans by joining forces with Fools Gold label boss, A-Trak as the disco house hybrid, Duck Sauce, gaining worldwide acclaim. I ended up skipping over New York at first, and started gigging in Europe for a while. Armand: Tough to say. Playlist 909rewind Vol. He does everything that everybody doesn’t want him to do, every time. Ross: I saw an old video interview with you from 2007 where you stated, “I’m trying to last longer than Quincy Jones.” You meant it half jokingly, but your output speaks for itself. All of the music in there except for a rhythm guitar section – that’s from their parts, but the rest is me. That was the process. I’ve read that your parents were big fans of the genre. It was pre-Internet before, so I can’t say anything specific to be honest. The genre came up around the time of house music when Detroit and Chicago were developing their sound – that became the fresh new thing and when that gained traction people looked at freestyle as cheesy. His newest offering, Masterpiece, showcases this ideal through a sprawling 3 CD, 43 track mix compilation from Ministry of Sound, detailing the artist’s early influences and inspirations through three themed discs, spanning from early house cuts, yacht rock, and freestyle dance music. Armand Van Helden interview at Pacha Ibiza 2013. Check out what happened when DJsounds’ Lorna Cole caught up with the international funk phenomenon Armand Van Helden in Ibiza. Fatboy Slim, whose Southern Fried label issued Van Helden’s 2005 album Nympho) and put out a pair of DJ-mix CDs, New York: A Mix Odyssey, in 2004 and 2008. Armand: It was a lush dream… When I look back it was an amazing, fun and dreamy sequence. Report. Posted by Ross Figlerski. All of that is just him bugging out. A lot of dark things started happening on a personal level, and I had been to New York a number of times by that point. But in a way, mixing house and hip hop to big commercial success – you did that in England when you worked with Dizzee Rascal. Change ), You are commenting using your Twitter account. In other words, if there is a bunch of trance-loving Nazis out there, let them have their fun. Change ), You are commenting using your Google account. I’m not a critic. Shut up.” As you get older the fire in you burns out to a degree and you have a live-and-let-live attitude. Log in. I lived in Italy before Boston, and the nightclub scene in Italy was not that remarkable, at least in the area that I lived. Tom Mellow threw ten or so raves a year in the New England area. Around 2008, pop stars began to bring house music back into pop and it revitalized itself again, which finally made the higher up level executives notice. band & artist news, reviews, interviews, videos & gossip UK & worldwide. He just sang freeform; there’s some verses in it; some don’t even rhyme. When I came back, club promoter’s heard rumors of this German Dutch guy and it just started to hit it off. So you had the very hard techno thing and then you also had early [UK] hardcore – early jungle/breakbeat. I couldn’t deny it any more. Let’s replace it with “sheep.” Sheep’s a good word. In 1993. Tori Amos’ “Professional Widow” is a perverted CJ Bolland. The UK scene has always been the healthiest in the world, with Australia probably number two. I may have had “Witch Doktor” under my belt at the time, but I was still new to the scene. I just happened to be lucky and to be there at the right time. In 1999, you released 2Future4U which was probably the album people were expecting instead of Sampleslaya. … ARMAND VAN HELDEN INTERVIEW... Gatecrasher Birmingham catch up with Armand Van Helden before his Bank Holiday event on 29th May What do you think of the UK club scene? When I came to New York, Gladys Pizarro from Strictly Rhythm was like, “Is there even a scene in Boston?” New Yorkers thought the house music world revolved around them. We freaked out. In that timeframe, the UK dominated in terms of the world outlook on the scene. Watch fullscreen. I came up form the ashes of that and was regarded as a part of the second-generation house crew of New York. How important was their influence on you growing up in shaping your music taste? When you make a song that is number one in the United States or Europe or whatever, there’s a moment when you exhale and say, “OK, I actually can make music for a living.” When that happens, you tend to get into a weird artist mode, where you get fairly abstract, because you’ve achieved that now, and now you can be super weirdo. Ross: As a house legend you’ve been involved in the scene since the beginning. Stream YleX Interview - Armand Van Helden by Orion from desktop or your mobile device Home; Contact Us; Interviews. For his latest release he used one of the world’s most famous vocals and turned it into a big banger! That’s definitely the one I’m going to. When I went in 1993, I was a nobody. Duck Sauce, A-Trak & Armand Van Helden - Ask Me Brian Power Feat: Hill St Soul & Richard Burton - Just Us (DJ Spen Mix) See More. That is not how this works.” The A&Rs would hire you for radio points. INTERVIEWS; RAVE TAPES IRELAND; PLAYLISTS; LINKS; CONTACT; Search for: Home. I’ll call him up and see.” She hits me up on the phone: “Do you know how to like mix records and at least just get a beat riding?” I said, “Gladys, I can DJ.” She said, “Really?” [laughs] From ‘94 to the late nineties, I toured a lot. Really, neither was the case. I don’t necessarily think that plays in as much as it did back then for sure. It seems like Killing Puritans kicked against what you had done before. Armand: There is a huge difference between the United States and the rest of the world. Interview mit dem bekannten House-DJ Armand van Helden. Armand van Helden and A-Trak recently launched their new Duck Sauce interview series and their latest guest is hip-hop legend DJ Premier. I never learned keyboards, I don’t know how to play piano, but I play everything. Obviously, some things resonate with me more than others, but I never put anything down. Armand Van Helden featuring Fat Joe & BL - Touch Your Toes (Lost Daze Remix) MUSIC VIDEO. Original interview posted on Complex – Green Label. With David Guetta and the Akon stuff, it’s getting played in the rap clubs. The Duck Sauce tandem of A-Trak and Armand Van Helden shared their latest episode of their new interview series, Duck, Duck, Goose, with special guest the Grammy Award-winning producer, David Guetta.They begin as usual by starting to talk about how they’re surviving the quarantine era through the escapism of culinary arts. Another fantastic tune to add to his huge résumé filled with hits. dazedrec. It was, I’d say, 98 percent black – because of the area, predominantly young black folks in college. Trance people weren’t that type, at least back then. Armand ist ein französischer männlicher Vorname und Familienname. Tom Novy interviewed Armand van Helden auf der Loveparade 99. With the amount of change that has happened, it’s hard to grasp the ups and downs with public perception. Every time I see him he’s like, “When do I get Ghandi Khan?” If anybody wants to find reason or logic in an artist that can do “You Don’t Know Me” or “Flowerz,” which are standard happy good-feeling up vibes, and then does a rap where they call trance Nazi music . By the time I had got the Tori Amos offer I had already had a number of remixes passed me, so my manager Neil Patrick Combs developed a personal relationship with the dance A&R [people] at most of the majors. Yeah, but that’s a UK thing. News. It’s an insanely beautiful mix of people. It’s sad people denied it, and to a degree, I did myself. I had come up with that loop, and it was sitting on DAT – a ten-minute thing, filtering up and down and messing with it, dropping beats and putting beats back in, just a groove I had made. . Did any trance people get in your face about that song? Some people think because I’m a DJ I’m out all the time – to be honest with you, I’m really not. Listen to Tom Lowe - The Audio Sunshine Show - Episode 113 (Broadcast 22/03/21) by Tom Lowe. I lived in various bases in the States and in Europe. What I can say as general advice to younger artists is that you need to do everything and anything to make it now. The same year, Van Helden issued 2Future4U, twelve tracks of dance-floor cuts that broke off two more club smashes in “You Don’t Know Me“ (with Duane Harden) and “Flowerz“ (with Roland Clark). March 27, 2015 April 2, 2015 — Leave a Comment. Armand Van Helden Interview 2010. As a winter resident in Miami, how have you seen the conference grow in the city? Born in 1970, Van Helden grew up primarily in Europe, then hit the states to attend university. My original plan was to produce music first, to turn the bookers around for wanting to book me as a DJ, and that’s exactly what happened. The key thing for younger producers is to admit that your music may suck. He didn’t like people on their jock. But many of Van Helden’s biggest tracks in this period were remixes for other artists ranging from Ace of Base’s “Living in Danger“ (1994) to Genaside II’s “Narra Mine“ (1997). Those people needed to infect the Boston ravers because the Boston ravers looked like they came out of a Nirvana shoot and they needed to get a little more hipper, and it worked every time. Predominantly, the clubs in Boston would play mainstream dance music – freestyle and Eurodance. I didn’t stay there that long though, only for a year and a half. It was where I was at mentally at the time, whether it was psychotic or not. I went there for college. Nobody was organizing it like the ravers were. Accordingly, the Boston born hit monger is next in line to take the reigns of Ministry of Sound’s Masterpieces album series, with a three-sided installment set for release in February. Few dance producers in any style have had the changeability and staying power of Armand Van Helden. Follow. The only time I did was on my very first release in ‘91, when Gladys Pizarro from Strictly Rhythm had heard my demo and was like, “You should come to New York and we’ll mix it at the studio we usually work out of and then we’ll release it.” I’ve always been the guy at home making the beats from start to finish. We stuck to our guns on this, and it worked for us. By 1990, I became a promoter in Boston. Also during that period you made the Sampleslaya album, which was more hip hop. Welcome to 909rewind, a series from 909originals that explores the early musical careers of some… Retro A Date With Destiny… Fatboy Slim vs Armand Van Helden [April 1999] 2 years ago 909originals . Interview: Armand Van Helden Michaelangelo Matos speaks to the long-serving DJ and producer. If you really want to make it, your music needs to make people drop everything and say, “Oh my god, that’s the new sound.” It needs to be that good. Ross: For house heads you’re highly regarded in the scene from your earlier remixes but to newer fans, your name may have become synonymous to them with Duck Sauce and Fools Gold. The Montreal-Boston rave connection was unison: When they’d throw raves in the New England area, [people] would book buses from Montreal to the rave. Now the tables have turned and both rock and even hip-hop to a degree, have been scrambling to incorporate dance music into their work ever since. Killing Puritans: that title has meaning to me. Back in the day, we were magicians as producers. It actually came out through FFRR in the UK. Everybody was like, “You just did a big boo-boo. Ross: For younger artists, how important a role does WMC have in fostering growth and advancement? Armand Van Helden. He was the first big rave promoter from Boston, so basically the New England area. Besides that, there’s the Fools Gold thing happening this year I’ll try to stop by at, but besides that and the gigs I’m playing, that’s it for me. Did Tori Amos or her people approach you, or were you already working with Atlantic Records at that point? No one understood the process of programming a drum machine. Around 1989 I went to Club M, the premier house club in Boston – a membership-only club near the MIT grounds, in Cambridge, right over the bridge from Boston. Being relevant guest is hip-hop legend DJ Premier mine – I love place... Wmc 30th anniversary underway, it ’ s of rediscovering music in there except a. Idea ’ s been fruitful because of the world ’ s most famous vocals and turned into..., videos & gossip UK & worldwide first big rave promoter from Boston, in 1988 long though, and! It ; some don’t even rhyme underlying aspect of my personality probably saying wanted! Or two notes, you name it Robbie Rivera — interview amazing, fun dreamy! 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