love in the afternoon imdb
It was to the point, that I didn't care what the ending scene would be. Gary Cooper might be too old for Audrey Hepburn, but he plays this role in his usual underplaying manner, and this works much, much better than most other actors would have been in his role. Love. Audrey Hepburn plays a younger woman (Ariane Chavasse) who is intrigued by his intrigues and becomes personally involved. Use the HTML below. Love in the Afternoon Fairy-tale Paris doesn't get more enchanting than Billy Wilder's Love in the Afternoon , an ode to picnics on the grass and champagne at the Ritz. It is possible that I had high expectations. Love in the Afternoon (1957) Plot Summary (2) A middle-aged playboy becomes fascinated by the daughter of a private detective who has been hired to entrap him with the wife of a client. See it if you're in the mood for good, romantic farce. Love in the Afternoon (1972) is the last, and in my opinion the best, in the series of six 'Moral Tales' which Eric Rohmer made in the 60s and early 70s. Their lives must be rather cold and empty. Lost in his eyes, Audrey forgets about everything around her, but Parker. Now this is a remarkable movie. Maurice Chevalier was good but not as good as in Gigi. I love the story, the camerawork and especially the lead players...Gary Cooper and Audrey Hepburn. The Daughter, a romantic at heart, decides to warn Wife and her lover about this set of events. Add the first question. She is pleasantly surprised when he arrives and passionately teaches her how to dance on a unforgettable day during Afternoon Tea. This is totally improbable. —Ray Hamel <[email protected]> Edit Report This. I have read in the book "The Complete Films of Audrey Hepburn" that Cary Grant and Yul Brynner were the first two choices to play Coop's part. Love in the Afternoon Casting certainly was a problem, but rather than replace Grant, they should have replaced Hepburn, selecting a less radiant actress, someone who looks naive perhaps but for whom there might be some plausibility in the idea of her being romantically attracted to a much older man. It is also the most fully rounded, lacking the one-dimensional tone of some of his earlier tales. It stars Audrey Hepburn as Ariane Chavasse, a young student at a Paris conservatory. Marchetti and Franz Waxman serve as a romantic thread that runs tightly through out the entire cinematic heart throbbing experience. From there it drags on and on waiting for the final match up with Cooper and Hepburn and the totally unrealistic outcome of marriage. The first thing I noticed about this lilting romance (on the widescreen DVD) was the beautiful, shimmering, black and white photography. I am not a fan of romantic movies but there are a small handful that I love and by far the one I love most (of the less bigger scale types like "Gone With the Wind") is "Love in the Afternoon". To suspend disbelief to this extent was as bad as "As Good As it Gets" was, with a nearly dead, nasty old man and a woman 20-30 years younger than he who, inexplicably, is madly in love with him. (2012). The sight of him pawing Audrey Hepburn, who doesn't look a day over 16 is not appealing. The daughter devises a plan to thwart the killing, and in the process falls heads-over-heels in love with him. This must be Gary Cooper's worst movie. Use the HTML below. And "Love in the Afternoon" has simply one of the most romantic train station scenes ever filmed. This FAQ is empty. The remaining four Moral Tales are feature-length and genuine masterpieces of the romantic French cinema: MY NIGHT AT MAUD'S (1969), LA COLLECTIONNEUSE (1967), CLAIRE'S KNEE (1971), and LOVE IN THE AFTERNOON (1972 and a.k.a. Though he has an adoring wife, a bourgeois man is still tempted to pursue other women. To be sure, he was in ill health at the time of filming "Love in the Afternoon" and looked, indeed, older than 56 or 57. Audrey of course is the perfect Ariane and they shine together in each other's arms. This concentration on masculine ego prevails throughout the Moral Tales and gets at the crux of patriarchal ideology. Get a sneak peek of the new version of this page. I don't understand the bullshit about the miscasting of the male lead. I expected to like this film...Gary Cooper, Audrey Hepburn, Billy Wilder, Paris...But I was disappointed by its cynical manipulation and totally contrived ending. One of Billy Wilder's best films, and if you know his filmography, that means something. ", Title: Younger stars would've been totally outplayed by Audrey. Éric Rohmer crafts a seemingly simple story of a man's moral dilemma, but it's so much more than that. This movie sickened me. Like the hapless heroines of the stories she edits, Audrey desperately wants to find love, but... View production, box office, & company info. When, at the last possible moment, Cooper scoops Hepburn up off the platform and Wilder shoots that close up of their kiss in the train's cabin, with Coop's big hand tenderly embracing Hepburn's stunning teary-eyed face -- well, folks, that's romantic film-making par excellence. The scene with the husband ready to shoot Cooper is an obvious weak attempt at comedy but comes across as bad farce and is so unbelievable you wonder how the director accepted that part of the script. With Bernard Verley, Zouzou, Françoise Verley, Daniel Ceccaldi. Love in the Afternoon (1957) was co-written and directed by Billy Wilder. Audrey, a shy, awkward publishing assistant, flounders in a world of romantic, erotic fiction. In fact if one is willing to "What if? The only thing keeping me glued to the screen is Hepburn, who has such a screen presence (she's pretty). Call it a cliche but that comment fits this film perfectly. This French novel Ariane had been filmed before in fact, by the Germans just before the Nazis took over and had starred Elizabeth Bergner. Any man ten years older than her would soil Audrey Heburn's wonderful sweetness and innocence, like a dishrag tossed into a soufflé. There is likely no more romantic ending to a Hollywood movie than the one in this soufflé-light 1957 romantic comedy, where Audrey Hepburn tries to keep up with a departing train upon which Gary Cooper stands and listens intently to her babbling about her fictitious sexual conquests. But he brought with him nearly 30 years' worth of outstanding leading man movie credits, and so it was the aura of his romantic film star reputation that he brought to his role as the devil-may-care American businessman playboy who is brought to heel by the naive charms of the ineffably beautiful Ms. Hepburn. My vote would be a 4. The story explores the relationship between an older, philandering American business magnate and the young, sexually inexperienced daughter of a … ", and trade off Gary Cooper for Gary Grant for the role of Frank Flannagan, I suspect that that this film would have been right up there with the best romantic comedy of all time, "It Happened One Night". Love in the Afternoon (1957) was co-written and directed by Billy Wilder. The title song "Fascination" with original music by F.D. Audry Hepburn was exquisitely photographed and looked like a work of art in this film. A wonderful film. 3 stars overall for Love In The Afternoon movie on DVD.. 5 stars for the incomparable and multiple award winning actress Audrey Hepburn.. Audrey Hepburn portrayal of Ariane Chavasse saved this movie from being a total flop. Love in the Afternoon (English Subtitled) ( 9 ) IMDb 7.7 1 h 37 min 1972 NR The luminous final chapter to Rohmer's "Moral Tales" is a tender, sobering, and wholly adult affair that leads to perhaps the most overwhelmingly emotional moment in the entire series. What a waste of time on this flop. Title: Love in the Afternoon (2012) 8.2 /10. Like the hapless heroines of the stories she edits, Audrey desperately wants to find love, but lacks the confidence to know how. She might have a little desperation about her, for example, or an air of loneliness, something to explain her allowing the advances of a man so horrifically unsuitable for her. This is supposed to be one of those "May/December" romances, but it looks more like "January/December". I almost got sick watching Gary Cooper trying to make love to the youthful and lovely Audrey Hepburn, like an old toad clumping around, thinking he was playing like a puppy. Cary Grant couldn't have brought it off, either. My Fair Lady (1964) Rex Harrison 56 / Audrey Hepburn 35 Age Difference: 21. Love. Audrey Laurent is madly in love with Parker Cadieux. Thanks to Billy Wilder's creative genius this film works despite Gary Cooper being miscast as the leading man. I love these two so much that it's hard to put another great screen couple above them. Miscasting? For several reasons, he has no on-screen rapport with Ms. Hepburn. One day the daughter overhears a jealous husband swear blood vengeance against Flannagan. Somehow I can't not think of the flabby skin, the sagging jowls and the bad behavior, to top it off, as rather unattractive. I hope the days of those lunatics are over who computer-colored some of the beautiful b/w classics. A bad choice--Cary Grant would have been better. Audrey Laurent is madly in love with Parker Cadieux. The black and white photography is so beautiful, the lighting so dramatic that I couldn't take my eyes off it until the bitter end. 6, like the earlier reviewer, would be too kind. Directed by Éric Rohmer. I whole heartedly agree. Love in the afternoon (1957) imdb photo gallery It stars Audrey Hepburn as Ariane Chavasse, a young student at a Paris conservatory. Audrey Hepburn was good, but a bit too silly and old to be a convincing ingenue. Chevalier is very good and sympathetic in the supporting role. At first the age difference is very apparent, with Cooper seemingly mis-cast as a womanizer, but he grows on you, with a sweet, gentle, quiet, attractive performance. It gives me the creeps even to think of it. At first she's just another fling to him...but then love blossoms in his heart too. Very funny, very romantic - and with an absolutely lovely performance by Audrey Hepburn. Age difference: 28. She has an unbridled interest in her father's often tawdry cases, chief among them the affairs of Frank Flannagan, a millionaire industrialist and aging playboy who finds himself in various trysts with married women around the world. The wronged Husband vows to kill Wife. Fortunately, the Daughter is able to sneak in the hotel room next door and walks on the ledge outside of the hotel to the room where the lovers are and warns them about the Husband outside. Maurice and Audrey give rather good performances, Gary as usual acts like a wooden door. Predominate among them is millionaire jet-setting Frank Flannagan, stealer of women's hearts. The girl is Audrey Hepburn and the man is Gary Cooper. It is a slender story of a married man who is tempted by a younger woman, set across a series of Parisian afternoons. Like the hapless heroines of the stories she edits, Audrey desperately wants to find love, but lacks the confidence to know how. This film by Billy Wilder features beautiful B&W photography. And, way too old to be playing the 'older' man--kind of like Bogart in Sabrina. Coop with his dry but lovable wit and charming good looks, and Audrey with her universal charm, wholesomeness and great beauty. A private detective's innocent young daughter lives vicariously through her father's case files. Anonymous. In Paris, teenage cellist Audrey Hepburn (as Ariane Chavasse) goes for grandfatherly playboy Gary Cooper (as Frank Flannagan). Hepburn is stunning and spunky in one of her best performances. Audrey Hepburn is lovely in this movie, but it is painful to see her opposite Gary Cooper, who was nearly 30 years older than she and looks in bad shape for his age. Cary Grant or Gregory Peck would have been more appropriate for the role of Frank Flannagan, the womanizing jet setter who falls madly in love with the daughter of a detective who has been investigating him. Disappointing, especially Gary Cooper's Performance. Detective father Maurice Chevalier (as Claude Chavasse) does not approve. Charming, beautiful love story, well done despite seemingly improbable casting. Until one day, an unlikely suitor bestows three words on paper: I. “Chloe in the Afternoon,” the last of Eric Rohmer’s “Six Moral Tales,” is the best of those I’ve seen. You. I'm sure of it. Writer/director Billy Wilder had previously paired youthful Hepburn with Humphrey Bogart and William Holden. This has always has been my all time favorite romantic comedy. MCU fans, here are some streaming picks to watch while you wait for the next episode of "The Falcon and the Winter Solider. Hepburn plays Ariane, a young cellist and the daughter of a Parisian private investigator named Claude Chevasse. 5 years ago Another of our reviewers titled their review "Yuck!" Daughter of detective (Hepburn) overhears this. I was very Disappointed with the movie. That it holds together is due primarily to Audrey Hepburn's unsurpassed charm and Billy Wilder's resourceful story-telling technique. The story is about a French girl who falls in love with a swinger from Paris. Audrey, a shy, awkward publishing assistant, flounders in a world of romantic, erotic fiction. They make the whole story come alive in their own way. Their relationship today would be considered totally inappropriate. Nevertheless even with a miscast Gary Cooper the film works ....thanks to the marvelous performances of Audrey Hepburn and Maurice Chevalier, who play the young innocent musician daughter and her snooping, pooping private detective father. To me, that means the woman is a prostitute. Directed by Victoria Napolitano. Yes, it was clearly a role intended for Gary Grant (that would have to wait for "Charade"), but Cooper brings his own plain homespun American style to the role, which plays awfully well against Hepburn's dreamy child-woman European sophisticate-in-training. While Billy Wilder idolised Ernst Lubitsch (he worked on the script for that director's Ninotchka), he did not have his tenderness and romantic charm. When the Husband finally enters the lovers' room, he finds the Lover (Cooper) in the arms of the Daughter, who, incidentally, is wearing a chic givency black dress (the Daughter was performing at a concert just before going to the Ritz). This film is what it's all about. The first act lags. Love in the Afternoon is set during the gender wars following the gay and feminist movements. Love in the Afternoon (1957) Gary Cooper 56 / Audrey Hepburn 28. She is pleasantly surprised when he arrives and passionately teaches her how to dance on a unforgettable day during Afternoon Tea. I guess we are to suppose money makes a man sexy. It is the sixth and final movie in Rohmer's "Six Moral Tales" series. Take a look ahead at all the major movie releases coming to theaters and streaming this season. This odd combination of story, characters, and cast could easily have fallen apart irretrievably in the first few minutes. The detective gets involved when the stolen hearts belong to married women. 3.0 out of 5 stars Love In The Afternoon - DVD - Review - Audrey Hepburn is the Best Published on October 12, 2020 by Made In The USA 3 stars overall for Love In The Afternoon movie on DVD. Want to share IMDb's rating on your own site? Other greats of that era couldn't have been better: Cary Grant would have been too cool, Peck has never been the Frank Flannagan-type. She deserved top billing in this movie over Gary Cooper.. 3 stars for John McGiver portrayal of Monsieur X. Love in the Afternoon 1957. With Lauren Williams, John Herrington. Love in the Afternoon (1957) Director Billy Wilder salutes his idol, Ernst Lubitsch, with this comedy about a middle-aged playboy fascinated by the daughter of a private detective who has been hired to entrap him with the wife of a client. Directed by Billy Wilder | Starring: Audrey Hepburn, Gary Cooper, Maurice Chevalier, John McGiver Lovestruck conservatory student Ariane pretends to be just as much a cosmopolitan lover as the worldly mature Frank Flannagan hoping that l’amour will take hold. The ending is suspenseful, with cute narration epilogue by Chevalier. A selection of psychy-folky-hippie ballads by music supervisor and 70s movies addict Taylor Rowley.I love her monthly NTS show The Windmills Of Your Mind.She is also one of the head behind EXP TV, an online TV channel broadcasting an endless stream of retro weirdness. 3.0 out of 5 stars Love In The Afternoon - DVD - Review - Audrey Hepburn is the Best By Made In The USA on October 12, 2020 3 stars overall for Love In The Afternoon movie on DVD. The song "Fascination" is used to great effect. Use the HTML below. Love in the Afternoon is a 1957 American romantic comedy film produced and directed by Billy Wilder and starring Gary Cooper and Audrey Hepburn. Audrey, a shy, awkward publishing assistant, flounders in a world of romantic, erotic fiction. Appearing even older than his actual age, Mr. Cooper should have declared himself done with these roles. Diamond is based on the 1920 Claude Anet novel Ariane, jeune fille russe. Keep track of everything you watch; tell your friends. Until one day, an unlikely suitor bestows three words on paper: I. Would he take her along or would he not? An Unusual Combination Held Together By Hepburn & Wilder, Wilder made some brilliant movies, but this isn't one of them, Miscast Cooper Undermines This Billy Wilder Film, Sparkling if a Bit Overlong Boulevard Comedy Shows Wilder and Hepburn in Top Form, Implausible Wilder Misfire That Even Hepburn Can't Save. And this is one of many films you would ruin with color! Written by Love in the Afternoon's two principal characters, Frédéric and Chloé, are not likeable people, yet they're real, imperfect human beings. Thank God that neither were able to. I feel sorry for those art-film historians who fail to be overwhelmed by the depth and charm of this piece and would rather pick it apart with their overly dissecting, maddeningly analytic tweezers, missing the point entirely. Lost in his eyes, Audrey forgets about everything around her, but Parker. Maurice Chevalier is her father, a skilled private detective. Regrettably, Gary Cooper was not only too old, but lacked the charm and suaveness needed for the role. It seems so many of the responses are hung up on Gary Cooper's age, forgetting that in his time (late silent era through to the late 1950s), Gary Cooper was widely regarded as one of the most attractive movie stars to grace the silver screen. And because of his charisma the Hepburn-Cooper teaming is not a mismatch. You must be a registered user to use the IMDb rating plugin. Coop as the character of Frank Flannagan makes the film more romantic and his ever-popular sweet-guy, no-airs-of-any-kind persona makes the film less stuffy than it would with Grant or Brynner. I've always liked Gary Cooper, but he is horribly miscast as the aging, corrupt Don Juan, Flanagan. Maurice Chevalier is her father, a … Love In The Afternoon 1957 Imdb. ... Overlong and just a bit uninspired, Love in the Afternoon is mid-tier Wilder romance. When the Daughter arrives at the Ritz, the angry Husband is staking the hotel room where the Wife is, with visible gun in hand. A certain Monsieur X has come to Chevasse to catch his wife in a suspected extramarital fling with Flannagan. Overhearing Monsieur X's intention to kill his wife and her lover, Ariane decides to warn Flannagan, and they embark on an afternoons-only affair under the pretense that she is as much a worldly bon vivant as he is. The screenplay by Wilder and I.A.L. Cooper looks like he is approaching seventy and Hepburn appears as a teenager. Worse than that. At least semi-classic. Set in Paris, with some scenes filmed there, Director Billy Wilder weaves a captivating, simple tale of a 20ish woman (Hepburn), who lives with her father (Maurice Chevalier), who schemes to snag a 50ish cad (Cooper). Love in the Afternoon (original title: L'Amour l'après-midi and released in North America as Chloe in the Afternoon) is a 1972 French film by Éric Rohmer. Shudder! But, as opposed to the tandem psychological difficulties featured by Lean and Rossellini, Rohmer focuses on a male protagonist’s agony. The author and director clearly knew a lot about love. The plot is very cute and romantic. Things come to a head when Flannagan becomes infatuated with this mysterious "thin girl" and recruits Crevasse to find out who she is. Ah, Hollyweird. Billy Wilder's more noted films such as "The Apartment" and "Some Like It Hot" may have garnered more recognition than this film over the years, but in my opinion none of them have the charm that this film has to offer. Today I suspect this movie would not even be made in the US. Naive but precocious French girl falls in love with an older American businessman who has been the target of her Papa's investigation of an extra-marital affair. He was wooden, and spoke without feeling or emotion--a dead zone. I would guess Ms. Hepburn was also trying to keep from retching. Audrey Hepburn (who had already made Sabrina with Wilder) is at her best as the inexperienced cellist with a fascination for millionaire American playboy Gary Cooper. The only reason I could watch this movie was the incredible cinematography by William C. Mellor. Want to share IMDb's rating on your own site? Cooper was also in the twilight of his career and was suffering from health problems when the film was made. Love in the Afternoon was conceived and brought to the screen by Billy Wilder as a homage to his friend and mentor in Hollywood, Ernest Lubitsch. Love in the afternoon #55 From L.A. with love! The casual lies, the normalcy with which infidelity is looked at; none of it should ideally be the norm. Filmed in 1957, the only way to show the title occurrence is to have a camera shot following Hepburn's dis-robed fur coat falling to the hotel room's floor, as she embraces Cooper. Want to share IMDb's rating on your own site? From IMDB trivia: A line was dubbed into the release print to dispel the impression that Audrey Hepburn's and Gary Cooper's characters actually have sex in their many afternoon meetings in his hotel room. The story for LOVE IN THE AFTERNOON goes like this: a private detective (Chevalier) is hired by British man who suspects wife is cheating in Paris with another man. Gary Cooper stars as a supposedly smooth womanizer (Frank Flannagan) who cares little for the women he beds. It should ideally be the norm, wholesomeness and great beauty `` love the! 7.2 /10 but then love blossoms in his eyes, Audrey desperately wants to find love, but bit... Song `` Fascination '' is used to great effect stealer of women 's hearts lacks the confidence know. Thanks to Billy Wilder their own way plays Ariane, a skilled private.. Unrealistic outcome of marriage lovable wit and charming good looks, and spoke feeling... Moral Tales and gets at the crux of patriarchal ideology madly in love with swinger! Bit uninspired, love in the process falls heads-over-heels in love with Parker Cadieux when the stolen hearts belong married! Her would soil Audrey Heburn 's wonderful sweetness and innocence, like the hapless of. Françoise Verley, Daniel Ceccaldi as Claude Chavasse ) goes for grandfatherly playboy Gary Cooper but. How to dance on a unforgettable day during Afternoon Tea American romantic comedy film produced directed. William Holden presence ( she 's just another fling to him... but love. In this film perfectly wants to find love, but lacks the confidence to know how and movements. Man who is tempted by a younger woman, set across a of! And sympathetic in the Afternoon ( 1957 ) Gary Cooper, but Parker means something absolutely lovely performance by.! With Bernard Verley, Daniel Ceccaldi without feeling or emotion -- a dead zone across. From there it drags on and on waiting for the final match with! 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