13 Assassins 2010 , movie 13 Assassins 2010 A group of assassins come together for a suicide mission to kill an evil lord. "TOTAL MASSACRE" 13 Assassins is a 2010 chanbara film from director Takashi Miike. The two together, even with flaming bulls and a forest of swords, enhance the realism of the sequence. He sees hundreds of men dying and believes they are acting out a great performance, that they are making something far more beautiful of themselves than they ever were as living human beings. 13 Assassins opens with a samurai, dressed in snow-white robes, kneeling before a castle gate and committing ritual suicide as a protest against the atrocities of Lord Naritsugu. With this kind of groundwork, the confrontations take on an air of inevitability. ... 13 Assassins is a Japanese Epic Samurai film directed by Horror Master Takashi Miike. The setting is Feudal Japan, 1844. 13 Assassins draws inevitable comparisons to Kurosawa’s Seven Samurai (a small band of good samurai fight against overwhelming odds in a small town), but it … "TOTAL MASSACRE" 13 Assassins is a 2010 chanbara film from director Takashi Miike. There are exceptions of course and 13 Assassins, with its two-month shooting schedule, is one of the longest exceptions. As he tosses away his sword and staggers off towards a new life a demon skips and leaps over corpses, content in the knowledge that samurai are no longer boring because they are all dead. Despairing, one of the Shogun’s top advisors asks veteran samurai Shimada Shinzaemon (Koji Yakusho) to secretly dispose of the bloodthirsty Lord Naritsugu. 13 Assassins - Total Massacre 13 Cold-Blooded Eagles - The Eagles Have Landed 13 Frightened Girls - Catch That Kitten 13 Ghosts - Now You See Them, Now You Don't 13 Hours - Winning The Alamo 13 Tzameti - Unlucky For Some 13: Game of Death - Play to win 13th Warrior, The - Norse Of The Year Show 14 Amazons, The - Women At War 14, The - Bloody Kids Great samurai characters are those like Shinzaemon in 13 Assassins or Ogami Itto of the Lone Wolf and Cub series that work towards improving the lives of those weaker than they are but often for their own personal gain as well. The … Movies. The power, the great primal power of violence and justice merged together, flows through the veins of both. Ripping and tearing sounds accompany the passage of the knife as it opens the once noble samurai’s guts. Andrew is a writer, podcaster, editor and civil service goon based in Dublin, Ireland. Robert and I gear up for battle against the corrupt, sadistic Lord Naritsugu in the Japanese samurai film, 13 Assassins. “13 Assassins” takes place during the twilight years of the Edo period in Japan. Miike is a prolific filmmaker and one of Japan’s best. Stakes and tension, in other words, and while the samurai in 13 Assassins may be leading two hundred men to an enclosed space in order to kill them, it’s possible to sit back and watch the violence without much in the way of discomfort. Bows and arrows, spears, swords, slings and a rock-tipped club are brought to bear against Lord Naritsugu’s 200 swordsmen. Many seek something all samurai are taught to crave: a glorious death in battle. It reads: “Total Massacre.”. They have spent days turning an abandoned village into a death trap, crafting spiked barriers, piling dry straw on bulls and creating a small forest of spare swords in a nearby square. It reads: “Total Massacre.” The constant challenge for trying to wring some meaning out of this violence, however, is acknowledging this power while negotiating the extent to which it has something to say about our actual lives. He constantly complains that, as a group, samurai are dull and boring, even useless. He cuts off the arms and legs of a woman, he kills a man after violating his wife, and he shoots arrows at close range, one by one, into an entire group of peasants. Copy link to clipboard. Nowadays causes remain righteous but the victory is indeterminate. The whole thing is in-your-face and unrelenting, much like the last forty minutes of 13 Assassins. Among them are Shinzaemon’s nephew Shimada Shinrokuro (Takayuki Yamada), fellow veteran Kuranaga Saheita (Hiroki Matsukata), the master swordsman Tsuyoshi Ihara (Hirayama Kujuro) and the hunter-guide (also possibly a mischievous demon) Kiga Koyata (Yusuke Iseya). That’s why films align situations to make violence unavoidable or morally acceptable: self-defense, violence on behalf of the downtrodden, long odds in pursuit of a worthy goal. Book XXII of The Odyssey may have the same basic setup—a small group of noble men executing a larger group of decadents—yet in Homer the circumstances are very different. Miike invests this time in exploring some but not all of the samurai heading to their deaths. Trailer (1) Clip (1) … Once the movie has set up all it needs to, and the time for violence is at hand—when the words that got me in the theater were about to be realized—the leader of the assassins, Shinzaemon, looking down at Naritsugu and his 200 bodyguards, unfurls a banner. Once the movie has set up all it needs to, and the time for violence is at hand—when the words that got me in the theater were about to be realized—the leader of the assassins, Shinzaemon, looking down at Naritsugu and his 200 bodyguards, unfurls a banner. 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